Get ready, this is really a dose of Chesterton. Enjoy!
The larger part of womankind, however, have had to fight for things slightly more intoxicating to the eye than the desk or the typewriter; and it cannot be denied that in defending these, women have developed the quality called prejudice to a powerful and even menacing degree. But these prejudices will always be found to fortify the main position of the woman, that she is to remain a general overseer, an autocrat within small compass but on all sides. On the one or two points on which she really misunderstands the man’s position, it is almost entirely in order to preserve her own. The two points on which woman, actually and of herself, is most tenacious may be roughly summarized as the ideal of thrift and the ideal of dignity.
Unfortunately for this book it is written by a male, and these two qualities, if not hateful to a man, are at least hateful in a man. But if we are to settle the sex question at all fairly, all males must make an imaginative attempt to enter into the attitude of all good women toward these two things. The difficulty exists especially, perhaps, in the thing called thrift; we men have so much encouraged each other in throwing money right and left, that there has come at last to be a sort of chivalrous and poetical air about losing sixpence. But on a broader and more candid consideration the case scarcely stands so.
Thrift is the really romantic thing; economy is more romantic than extravagance. Heaven knows I for one speak disinterestedly in the matter; for I cannot clearly remember saving a half-penny ever since I was born. But the thing is true; economy, properly understood, is the more poetic. Thrift is poetic because it is creative; waste is unpoetic because it is waste. It is prosaic to throw money away, because it is prosaic to throw anything away; it is negative; it is a confession of indifference, that is, it is a confession of failure. The most prosaic thing about the house is the dustbin, and the one great objection to the new fastidious and aesthetic homestead is simply that in such a moral menage the dustbin must be bigger than the house. If a man could undertake to make use of all things in his dustbin he would be a broader genius than Shakespeare. When science began to use by-products; when science found that colors could be made out of coaltar, she made her greatest and perhaps her only claim on the real respect of the human soul. Now the aim of the good woman is to use the by-products, or, in other words, to rummage in the dustbin.
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